Hi, this is Wayne again with a topic “Molten Motion Meter Overview”.
Hello, I’m Robin and welcome to the molten motion meter. It’S a visualizer of voltage, a seer of signals it visualizes what’s going on. It allows you to plug a modulation in or audio in and see exactly what sort of levels you’re getting. You can then adjust it attenuate a 10 new vert and kick it back out again as either a mixed form of modulation or as individual channels. It’S simple! It’S beautiful! It lights up like a good one in your rack and I’m just going to give you a quick overview of how it works.
So the idea behind the motion meter was my desire to be able to visualize modulation to be able to see what an LFO was doing through a patch to better connect visually and orally to what the heck was going on with the modulation and signals in my Patch and that at a basic level, is what we have in the molten motion meter now, there’s three channels independent channels, although they do also do a little bit of Shenanigans in there too, but they can either be set to CV, inverted CV or audio, and then All you do is take something like an LFO plug it in, and you get this beautiful display of the voltage going through with the knob to attenuate down to whatever sort of level that you, like, plus or minus 10 volts, giving you the full range. You could then, for instance, plug in an envelope into Channel 2. and have that fire. You could then invert it and scale it back to exactly the sort of envelope that you wanted.
Channel 3 could be audio plug in the output of something going through it. So I’m now monitoring visually monitoring, an LFO going through the top, an envelope going through here and audio going through the bottom. No, no, no, no! No! No and very quickly. It becomes a little control center for your patch.
For your modulation, for your level, you could have loads of these things peppered around your case, doing different things: the different little bits and pieces pulling out different modulations, pulling out different levels and signals and all the time showing you exactly what was going on. But there’s a little bit more going on than that. If I unplug these two inputs, I can use these as purely 10.
Volt voltage, generators, foreign or, if I unplug these outputs, then channels one and two will sum to channel three. So anything I plug in the top will be reflected in channel three, so I’ve also put in the envelope into Channel 2. that’ll also come down one and two being combined into channel 3, which I can then use as an offset in either direction.
So it very quickly becomes a combination engine. It becomes a place where you can combine, waveforms, combine modulation and then all squirted out of a single output, and I could still add another one via three. Well, it’s quite nice to put in a little bit of randomness. Thank you. In fact, one of my favorite patches is to take the top one as audio, and then I’ve got level control over the filter. I’Ve got an envelope going in, and I’ve also got some randomization from Channel 3.. If I take out that randomization that I’ve just got an offset foreign, but it’s superb in live performance because I can see it I can identify, I can reach out and grab it without any bother whatsoever. I’M not going to get lost because you can see. What’S going on, you know you could run one of these for every filter voice and have complete confident control over exactly what’s going on or how about two three channels of audio going into this one.
Here I’ve got two modulations combined out of the output three and one doing its own thing at the top foreign foreign. So there you have it. The molten motion meter is beautiful, dazzling, bright and lovely in your rack.
It’S gon na look fantastic thanks. Very much in the meantime, go make some tunes .