Gabriel Pulecio’s Infinite Wall display — Panorama 2016

Gabriel Pulecio's Infinite Wall display — Panorama 2016

Hi, this is Wayne again with a topic “Gabriel Pulecio’s Infinite Wall display — Panorama 2016”.
The verge is partnering with the inaugural panorama: music festival this year in New York City and we’re going to be hosting the lab, an incredible interactive art space. That’S running all weekend long, we spoke to Gabriel Palacio an artist with work featured in the space. His piece is called infinite wall. My name is Gabriel pleasure. I’M a little light artist based in Brooklyn New York.

It’S been, it’s been a very interesting path for me into art, because my I start studying art and then I moved to motion, motion, graphics and 3d design for panorama, we’re building an immersive installation made out of a infinity mirrors and see-through mirrors, and it’s funneled interactive Installation so the public comes, it will be triggering ripples of light through the installation from the floor curling up one of the walls. The filling is like more that you are floating in space and you’re. Like repeated infinite times, I’ve been doing like research and developing on this for like several months, but the build four days are gon na be more or less six six weeks everything is built here. Motive is like later cut panels, regular LEDs and extruded aluminum frame that holds the whole structure.

Gabriel Pulecio's Infinite Wall display — Panorama 2016

There are three Kinect sensors in the ceiling that pretty much are tracking the position of each one of the other people inside and then this is sent to like touch designer which is taking that data triggering the movies and several animations. That will be mapped into the LEDs. I think there is two sides of it and one is it all the back end of the installations that I’m doing it is digital, but the end result. It’S like an analogue result, which is light bouncing inside of a mirror and creating these graphics.

Gabriel Pulecio's Infinite Wall display — Panorama 2016

I think interaction is, is key, because somehow the spectator, the public, will immediately connect to the piece. The fact that it’s interactive means that it lives in this sort of fourth dimension of time. It’S all about how technology is tracked us from our day-to-day and our second to second and how we don’t live in the present and this piece of technology.

Gabriel Pulecio's Infinite Wall display — Panorama 2016

What it’s doing is creating ripples of light out of your position, so it’s like technology telling you again where you are and that you are here right now: .